This collection was inspired by a trip to NYC's Central Park in 2013. Central Park is the 843-acre masterpiece of landscape architecture designed in the 19th century by Frederick Law Olmsted and Calvert Vaux and designated New York City's first scenic landmark in 1974. As one of America's greatest works of art and the nation's first public park, Central Park has become the most famous and beloved urban park in the world.
Amazing moments in the city, sights, sounds and color led me to paint "In The Park" Collection." Completed late 2013 early 2014, "In The Park" collection consist of 12 painting's Large format, mixed media on canvas.
The above copy is a short view of historical facts about the park. The intent is to educate, and inspire others to experience art so they may create something healing within themselves!
Original Oil On Canvas 52" x 84" on Canvas price $6,000.
In The Park Series 106
Original Mixed Media 52" x 84" on Canvas price $10,500.
In The Park Series 105
Original Mixed Media 52" x 72" on Canvas price $8,500.
THE MODERN COLLECTION
THE MODERN COLLECTION
Modern art includes artistic works produced during the period extending roughly from the 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called Contemporary art or Postmodern art.
Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisseand several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminckrevolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism.Henri Matisse's two versions of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Initially influenced by Toulouse-Lautrec, Gauguin and other late 19th century innovators Pablo Picasso made his first cubist paintings based on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon (1907), Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his own new Cubist inventions. Analytic cubism was jointly developed by Pablo Picasso and Georges Braque, exemplified by Violin and Candlestick, Paris, from about 1908 through 1912. Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practised by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and several other artists into the 1920s. Synthetic cubism is characterized by the introduction of different textures, surfaces, collage elements, papier collé and a large variety of merged subject matter.
The notion of modern art is closely related to Modernism.
Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organization, and activities of daily life were becoming outdated in the new economic, social, and political environment of an emerging fully industrialized world.
The above copy short view of historical facts about modern art. The intent is to educate, and inspire others to experience art as they may create something healing within themselves!
Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express meaning or emotional experience rather than physical reality.
Expressionism was developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic, particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music.
The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism and other artistic styles such as Naturalism andImpressionism.
The above copy is a short view of historical facts about the expressionism movement. The intent is to educate, and inspire others to experience art as they may create something healing within themselves!
Line art or line drawing is any image that consists of distinct straight and curved lines placed against a (usually plain) background, without gradations in shade (darkness) or hue (color) to represent two-dimensional or three-dimensional objects, however shade and hue are used to enhance the line art a more modern approach. Line art can use lines of different colors, although line art is usually monochromatic. Line art emphasizes form and outline, over color, shading, andtexture. However, areas of solid pigment and dots can also be used in addition to lines. The lines in a piece of line art may be all of a constant width (as in some pencil drawings), of several (few) constant widths (as in technical illustrations), or of freely varying widths(as in brush work or engraving).
Line art may tend towards realism (as in much of Gustave Doré's work), or it may be a caricature, cartoon, ideograph, or glyph.
Before the development of photography and of halftones, line art was the standard format for illustrations to be used in print publications, using black ink on white paper. Using either stippling orhatching, shades of gray could also be simulated.
One of the most fundamental elements of art is the line. An important feature of a line is that it indicates the edge of a two-dimensional (flat) shape or a three-dimensional form. A shape can be indicated by means of an outline and a three-dimensional form can be indicated by contour lines.
The above copy is a short view of historical facts about the Line Art Painting. The intent is to educate, and inspire others to experience art as they may create something healing within themselves!
Abstract Nude painting although both the Academic tradition and Impressionists lost their cultural supremacy at the beginning of the twentieth century, the nude remained although transformed by the ideas of modernism. The idealized Venus was replaced by the woman intimately depicted in private settings, as in the work of Egon Schiele. The simplified modern forms of Jean Metzinger, Amedeo Modigliani, Gaston Lachaise and Aristide Maillol recall the original goddesses of fertility more than Greek goddesses. In early abstract paintings, the body could be fragmented or dismembered, as in Picasso'sDemoiselles d'Avignon, but there are also abstracted versions of classical themes, such as Henri Matisse's dancers and bathers.
In the post-WWII era, Abstract Expressionism moved the center of Western art from Paris to New York City. One of the primary influences in the rise of abstraction, the critic Clement Greenberg, had supported de Kooning's early abstract work. Despite Greenberg's advice, the artist, who had begun as a figurative painter, returned to the human form in early 1950 with his Woman series. Although having some references to the traditions of single female figures, the women were portrayed as voracious, distorted, and semi-abstract. According to the artist, he wanted to "create the angry humor of tragedy"; having the frantic look of the atomic age, a world in turmoil, a world in need of comic relief. Later, he said "Maybe ... I was painting the woman in me. Art isn't a wholly masculine occupation, you know. I'm aware that some critics would take this to be an admission of latent homosexuality ... If I painted beautiful women, would that make me a non-homosexual? I like beautiful women. In the flesh—even the models in magazines. Women irritate me sometimes. I painted that irritation in the Woman series. That's all." Such ideas could not be expressed by pure abstraction alone Some critics, however, see the Woman series as misogynistic.
Other New York artists of this period retained the figure as their primary subject. Alice Neel painted nudes, including her own self-portrait, in the same straightforward style as clothed sitters, being primarily concerned with color and emotional content. Philip Pearlstein uses unique cropping and perspective to explore the abstract qualities of nudes. As a young artist in the 1950s, Pearlstein exhibited both abstracts and figures, but it was deKooning that advised him to continue with figurative work.
Around 1970, from feminist principles, Sylvia Sleigh painted a series of works reversing stereotypical artistic themes by featuring naked men in poses usually associated with women.
The above copy is a short view of historical facts about the Abstract Nude Painting's...the intent is to educate, and inspire others to experience art as they may create something healing within themselves!
Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.
Abstract art, nonfigurative art, nonobjective art, and nonrepresentational art are loosely related terms. They are similar, but perhaps not of identical meaning.
Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be slight, partial, or complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive. Artwork which takes liberties, altering for instance color and form in ways that are conspicuous, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities. Figurative art and total abstraction are almost mutually exclusive. But figurative and representational (or realistic) art often contains partial abstraction.
The above copy is a short view of historical facts about Abstract Art... the intent is to educate, and inspire others to experience art as they may create something healing within themselves!
Drawing is a form of visual art that makes use of any number of drawing instruments to mark a two-dimensional medium. Instruments used includegraphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, and various metals (such as silverpoint). An artist who practices or works in drawing may be called a draftsman or draughtsman.
A small amount of material is released onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboardor indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas. The wide availability of drawing instruments makes drawing more common than other media.
Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper, where the accurate representation of the visual world is expressed upon a plane surface. Traditional drawings were monochrome, or at least had little colour, while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.
There are several categories of drawing, including figure drawing, cartooning, doodling and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).
Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication. It is believed that drawing was used as a specialised form of communication before the invent of the written language, demonstrated by the production of cave and rock paintings created by Homo sapien sapiens around 30,000 years ago.These drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced in prehistoric times were eventually styalised and simplified, leading to the development of the written language as we know it today.
Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise. Initially, artists used and re-used wooden tablets for the production of their drawings. Following the widespread availability of paper in the 14th century, the use drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work. In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities, where there was a lot of influence from geometry and philosophy
The above copy is a short view of historical facts about Drawing in general. The intent is to educate, and inspire others to experience art as they may create something healing within themselves!
Paul T Scarborough. Untitled, 2012 Ink on paper, 12 x 16
Paul T Scarborough. Male & Female, 2012 Ink on paper, 12 x 16
Paul T Scarborough Untitled, 2012 Ink on paper, 12 x 16
Paul T Scarborough Flood, 2012 Ink on paper, 12 x 16
SMALL WORKS COLLECTION
SMALL WORKS COLLECTION
These paintings reflect spiritual and physical indulgence, during times of joy or of turmoil. Fierce abstractions in bold color, these works boldly juxtapose symbols of human sensuality against themed landscapes.
Watercolor (American English) or watercolour (Commonwealth and Ireland), also aquarelle from French, is a painting method in which the paints are made of pigments suspended in a water-soluble vehicle. The term "watercolor" refers to both the medium and the resulting artwork. The traditional and most common support for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum orleather, fabric, wood, and canvas. Watercolors are usually transparent, and appear luminous because the pigments are laid down in a relatively pure form with few fillers obscuring the pigment colors. Watercolor can also be made opaque by adding Chinese white. In East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, often in monochrome black or browns. India, Ethiopia and other countries also have long traditions. Fingerpainting with watercolor paints originated in China.
Although watercolor painting is extremely old, dating perhaps to the cave paintings of paleolithic Europe, and has been used for manuscript illumination since at least Egyptian times but especially in the European Middle Ages, its continuous history as an art medium begins in the Renaissance. The German Northern Renaissance artist Albrecht Dürer (1471–1528) who painted several fine botanical, wildlife and landscape watercolors, is generally considered among the earliest exponents of the medium. An important school of watercolor painting in Germany was led by Hans Bol (1534–1593) as part of the Dürer Renaissance.
Albrecht Dürer, Young Hare, 1502, watercolor and body color, Albertina, Vienna
Despite this early start, watercolors were generally used by Baroque easel painters only for sketches, copies orcartoons (full-scale design drawings). Among notable early practitioners of watercolor painting were Van Dyck (during his stay in England), Claude Lorrain, Giovanni Benedetto Castiglione, and many Dutch and Flemish artists. However,Botanical illustrations and those depicting wildlife are perhaps the oldest and most important tradition in watercolor painting. Botanical illustrations became popular in the Renaissance, both as hand tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Botanical artists have always been among the most exacting and accomplished watercolor painters, and even today watercolors—with their unique ability to summarize, clarify and idealize in full color—are used to illustrate scientific and museum publications. Wildlife illustration reached its peak in the 19th century with artists such as John James Audubon, and today many naturalist field guidesare still illustrated with watercolor paintings. Many watercolors are more vibrant in pigment if they are higher quality. Some British market watercolors can be found in many craft stores In America and in other countries too.
The above copy is a short view of historical facts about Watercolor Painting...the intent is to educate, and inspire others to experience art as they may create something healing within themselves!